Between entrance and exit 2013
Shooting plan.

Because the choreography was heavily dependent of the camera-positions, D.O.P. Martijn van Broekhuizen or I were always present with a little HD-camera.
Especially the slapstick action around the piano took a lot of time to work out. After each rehearsal day I edited everything on the music the composer Han Otten send to us. Every morning we started with viewing the edited work. While rehearsing, test-shooting and editing the slapstick scene slowly took shape.